artless
发表于 2025-3-26 23:38:04
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Afflict
发表于 2025-3-27 02:58:42
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Morphine
发表于 2025-3-27 07:32:53
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Compass
发表于 2025-3-27 09:29:30
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ALIAS
发表于 2025-3-27 14:25:45
Trauma in Recent Algerian Documentary Cinema: Stories of Civil Conflict Told by the Living Dead,Algeria experienced in the 1990s. In the aftermath of a conflict that claimed between 100,000 and 200,000 victims, the state pushed through amnesty laws and attempted to mobilise a process of national forgetting. However, the same period also saw a rise in Algerian documentary film-making which has
妨碍议事
发表于 2025-3-27 18:11:26
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judicial
发表于 2025-3-28 00:41:41
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哭得清醒了
发表于 2025-3-28 05:54:42
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空洞
发表于 2025-3-28 08:51:24
,‘Our Long National Nightmare Is Over’?: The Resolution of Trauma and Male Melodrama in ,, news of the death of a favourite son, a trauma so profound that none of the surviving family members seem able to recover. Though this seems to denote the death in combat of a young soldier, the radical interiorisation of this event marks a steadfast refusal to connect the father’s overbearing patr
MIR
发表于 2025-3-28 13:39:45
,Listening to the Pain of Others: Isabel Coixet’s ,,nna (Sarah Polley) to overcome the trauma of the Balkan wars (1990s). The chapter situates Hanna’s trauma-induced silence within the context of the politics of truth commissions. This analysis is primarily vococentric (Chion 1999) since Coixet explores Hanna’s suffering through her voice rather than