overbearing
发表于 2025-3-23 10:59:31
Trauma in Recent Algerian Documentary Cinema: Stories of Civil Conflict Told by the Living Dead,relates to issues of representation and depression, for example Ranjana Khanna’s . (2008) and Anne Cvetkovich’s . (2012). The aim of this chapter is to increase our understanding of the filmic representation of trauma in a post-conflict society and more generally of a culture (Algeria) that is often
limber
发表于 2025-3-23 17:09:42
,Elusive Figures: Children’s Trauma and Bosnian War Cinema, to begin with. Such challenges to identity have another significant effect: approaching trauma narratives through childhood allows the films discussed here to invite a kind of spectatorial empathy that crosses the ethno-national boundaries (still) permeating post-war Bosnia. As a result of prevalen
保守党
发表于 2025-3-23 19:31:50
,Conferring Visibility on Trauma within Rwanda’s National Reconciliation: Kivu Ruhorahoza’s Disturbif victims and perpetrators of violence, and the cultural visibility a post-genocide society is willing to give to a traumatic past within its present reunification process. Breaking with the historical realism that defines cinematic production on the genocide against the Tutsis in Rwanda, Ruhorahoza
与野兽博斗者
发表于 2025-3-23 23:31:17
Proximity and Distance: Approaching Trauma in Katrina Films,out racial and class divisions in twenty-first-century America. In contrast to the historical contexts explored by Lee through his close interviews with survivors and commentators, Zack Godshall’s film offers a narrower portrait in his film . (2006), one in which an outsider’s encounters with New Or
粗糙
发表于 2025-3-24 03:25:09
,‘Our Long National Nightmare Is Over’?: The Resolution of Trauma and Male Melodrama in ,,pal struggle between an authoritarian father and an elder brother within a prototypical nuclear family. Trauma in . is at once irrecuperable and the means by which emotional (and thereby political) conflict may be resolved, particularly with recourse to notions of sacrifice, grace and salvation clea
PLIC
发表于 2025-3-24 09:36:10
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现晕光
发表于 2025-3-24 13:30:43
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异教徒
发表于 2025-3-24 18:10:41
,Trauma’s Slow Onslaught: Sound and Silence in Lav Diaz’s ,,f abortions; second, a slowness evoked by long-takes and the overall film length, which support the evocation of CTE, a degenerative disease of the brain, which progresses slowly over years and manifests itself predominantly as memory loss and severe headaches; third, there is a juxtaposition of sou
节省
发表于 2025-3-24 22:58:46
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engagement
发表于 2025-3-25 00:50:04
,Unclaimed Experience and the Implicated Subject in Pablo Larraín’s ,,ional cinema and, more broadly, in the public sphere of national life. Released a year before the exhumation of Allende’s corpse, the film emerged at a time when mystery still shrouded the circumstances of Allende’s death, especially the question of whether he committed suicide or was killed. Deploy