小客车
发表于 2025-3-21 19:43:03
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金哥占卜者
发表于 2025-3-21 20:29:41
Documentary Cinema and the Return of What Was,ocedure capable of demonstrating the idea that the sense given to an event does not simply depend on recognizing the event, but also on strategies of representation or the way in which these strategies are directed at the viewer; that is, the way in which the subject is approached by the film.
肌肉
发表于 2025-3-22 01:21:46
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arthroscopy
发表于 2025-3-22 08:10:15
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obstinate
发表于 2025-3-22 09:01:32
The Self as Other: Reality, Archive, and the Witness in Three Contemporary Latin American Films,s without falling into the temptation of rapidly transforming them into film characters” (Comolli, 2007:131). The strategies for the decomposition of the self and the use of both the third person as well as the archive to present a self-image are the focus of my work.
蛤肉
发表于 2025-3-22 13:02:52
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boisterous
发表于 2025-3-22 18:48:36
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IOTA
发表于 2025-3-22 21:24:07
José Carlos Avellarpace trajectories. Thus, a many-body system cannot be characterized by a single microstate, but rather by an ensemble of microstates. This statistical ensemble of microstates represents the macrostate which is specified by the macroscopic state variables .,.... (see Fig. 2.1).
嘴唇可修剪
发表于 2025-3-23 04:55:11
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CANON
发表于 2025-3-23 09:00:32
1554-4028re-emergence of the real as a prime concern in contemporary Argentine and Brazilian film, and as a main reason for the acclaim both cinematographies have won among international audiences in recent years.978-1-349-45461-7978-1-137-30483-4Series ISSN 1554-4028 Series E-ISSN 2634-520X