GLEAN
发表于 2025-3-25 05:56:05
Documentary Cinema and the Return of What Was, interviews with witnesses, and reenactments. A complex, contradictory, deceptive field: to explore memory in cinema is to come in constant contact with dangers that include the temptation to try to resee the past just as it was, the risk of considering the archive to be exhaustive evidence of the p
Estimable
发表于 2025-3-25 10:22:42
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一起平行
发表于 2025-3-25 15:44:29
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使显得不重要
发表于 2025-3-25 16:03:59
The Scene and the Inscription of the Real,d . (., 2008) by Jia Zhang-ke—the relations between documentary and fiction have taken on a configuration in which several things stand out: the use of theatrical proceedings in the composition of the filmed scene; the staging of lived events and experiences (undertaken by those who lived through th
珊瑚
发表于 2025-3-25 21:56:00
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Melatonin
发表于 2025-3-26 03:07:34
,Exploding Buses: José Padilha and the Hijacking of Media,ction events, food riots, and so on. . The latter (“climate change”) can serve as one name for material processes that lie outside of the former’s window of reference. And if one wanted a single metaphor for this anthropic bubble, you might think of us as all on a .—its windows are like screens that
仲裁者
发表于 2025-3-26 07:33:34
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处理
发表于 2025-3-26 11:28:52
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Parameter
发表于 2025-3-26 15:29:24
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conscience
发表于 2025-3-26 18:46:38
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