Angioplasty
发表于 2025-3-23 12:19:49
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大酒杯
发表于 2025-3-23 15:25:53
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MERIT
发表于 2025-3-23 20:59:23
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Nonporous
发表于 2025-3-23 23:35:47
Willy Østreng documentary contexts available in the same archive to give a different, though insistently historical, account of Torricelli’s motivations for and conceptualization of his labors. The paper does not conclude by claiming a new and definitive revisionist interpretation of Torricelli’s mercury esperie
骄傲
发表于 2025-3-24 04:33:21
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manifestation
发表于 2025-3-24 07:18:39
Franklyn Griffithsortrait (Marin 1988), as well as Walter Benjamin’s argument on the centrality of allegorical practices in Baroque theatre (Benjamin 1977), I shall isolate two additional arenas in which Baroque forms of representation and allegory were used: in Galileo’s attempt to cope with the visual evidence abou
新星
发表于 2025-3-24 12:01:47
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Confidential
发表于 2025-3-24 18:23:36
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小平面
发表于 2025-3-24 22:37:01
Willy Østrengpers 1984, 122), and Vermeer is setting a contrast between two modes of knowledge: the theatrical, poetic, historical narrative represented by Clio; and the visual exactness and immediacy of the .—the mathematically drawn, factual map (Alpers 1984, 119–123; 166–167).
射手座
发表于 2025-3-25 02:45:57
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