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978-3-031-25000-2The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerlneurologist 发表于 2025-3-23 22:27:33
https://doi.org/10.1007/978-3-031-24998-3British and Irish Literature; Literature and Postcolonial Studies; Japan; Asia; Reception history; AdaptaODIUM 发表于 2025-3-24 05:53:46
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Osamu Tezuka’s , and Kazuo Ishiguro’s rview of the robot boom stages in post-war Japan, Taketomi traces the embryonic development of ., the impact of WWII on young Tezuka’s creativity, and his magnetic stimuli to subsequent world-renowned film directors, including Stanley Kubrick. Furthermore, she provides a series of arguments about th隼鹰 发表于 2025-3-24 16:21:35
Constructing Japan with Stereotypes: An Analysis of Kazuo Ishiguro’s ‘A Family Supper’ism, stereotypically Japanese elements (ghosts, suicide and pause) and descriptive oddities in the story, Tajiri demonstrates that these historical and cultural discrepancies are embedded in Ishiguro’s story to trick readers, Western or Japanese, into feeling suspense. Moreover, Tajiri compares ‘A F保守 发表于 2025-3-24 19:41:29
Envisioned ‘Ghosts Project’: Kazuo Ishiguro’s Imaginary Nagasakig to Kato, Ishiguro believed that his hometown Nagasaki had been the very place where the oldest picture of a female ghost, painted by Maruyama Okyo (an eighteenth-century Japanese painter), was ‘born’. However, Kato proves by her thorough research that this claim is false. Kato conjectures that thi松驰 发表于 2025-3-24 23:58:30
The Hidden Ghost Story: Ishiguro, , and Troubled English Belief on Ishiguro’s fiction has been noted in other studies, Shen directs our attention to another contemporary Japanese filmmaker, Kenji Mizoguchi, and his hitherto overlooked influence on Ishiguro. Shen refreshingly reads Ishiguro’s . as a literary work that combines intertextual and stylistic echoes o