自制
发表于 2025-3-28 15:21:19
http://reply.papertrans.cn/51/5006/500577/500577_41.png
傻
发表于 2025-3-28 22:10:39
http://reply.papertrans.cn/51/5006/500577/500577_42.png
异常
发表于 2025-3-28 23:35:13
http://reply.papertrans.cn/51/5006/500577/500577_43.png
迅速成长
发表于 2025-3-29 04:25:11
Monumental Moments: Narrative Complicity in the Novels of Kazuo IshiguroHe discusses these novels with critical models such as ‘place and identity’ and ‘remembering and forgetting’. Moreover, he explains that the active selection and retention of the preferable narratives, which can be called ‘narrative complicity’ or the ‘public secret’, play a vital role in such a process.
无能力
发表于 2025-3-29 08:22:57
Osamu Tezuka’s , and Kazuo Ishiguro’s ving a robot around after losing a child, and the sacrifice the innocent robots make to save their human friends, with the motif of the sun in the foreground. Taketomi paved the way for interdisciplinary studies of the relationship between Ishiguro and Japanese manga culture.
prostate-gland
发表于 2025-3-29 14:59:43
http://reply.papertrans.cn/51/5006/500577/500577_46.png
indignant
发表于 2025-3-29 18:43:19
‘The Shame of Being on the Wrong Side of History’: Defeat and the Failures of Masculinities in , andpan or Britain. Uncovering the fact that Ishiguro read numerous historical and autobiographical books before writing these novels, Shin further provides extensive evidence for their influence on the characterisation of these protagonists.
有权
发表于 2025-3-29 21:45:34
http://reply.papertrans.cn/51/5006/500577/500577_48.png
可忽略
发表于 2025-3-30 03:10:55
http://reply.papertrans.cn/51/5006/500577/500577_49.png
lethargy
发表于 2025-3-30 06:37:48
http://reply.papertrans.cn/51/5006/500577/500577_50.png