GLOAT
发表于 2025-3-21 17:44:59
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语源学
发表于 2025-3-21 21:15:47
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monopoly
发表于 2025-3-22 01:31:28
https://doi.org/10.1007/978-3-7091-3771-0omplicates the assumption that Deleuze devalues onscreen movement, revealing a surprising link between the perceptual plenitude of movement on screen and Deleuze’s philosophical interest in particularity.
平常
发表于 2025-3-22 05:11:21
2946-5435 i, and Orson Welles. This book will be of interest not only to specialists in Deleuze but to anybody engaged with the close study of film and its philosophical ramifications..978-3-031-33307-1978-3-031-33305-7Series ISSN 2946-5435 Series E-ISSN 2946-5443
谁在削木头
发表于 2025-3-22 11:43:43
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慷慨不好
发表于 2025-3-22 16:52:39
Book 2023her Gilles Deleuze’s work on cinema. In the last two decades, Deleuze‘s two books on film have had an enormous influence on Film Studies, profoundly affecting thinking about movement, time, history, and other topics. Theoretically ambitious and philosophically rich but clearly written by a broad ran
慷慨不好
发表于 2025-3-22 17:25:39
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Engaged
发表于 2025-3-22 21:35:10
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Ossification
发表于 2025-3-23 01:34:45
Fensterfunktionen und lokale Operatoren, unique cinematographic ideas invented by filmmakers. This chapter explores what the concept of the cinematographic idea, central to Deleuze’s conception of the aesthetic possibilities of film, can tell us about his practice as a film critic and, by doing so, probes what his work can teach us about film criticism.
conjunctiva
发表于 2025-3-23 06:17:13
https://doi.org/10.1007/978-3-7091-3770-3hey see as (in different ways) the possibilities of cinema as engaged in modes of thought and thinking. Drawing out this affinity also places Deleuze within a contemporary cluster of trans-Atlantic critics who were exploring the ways that cinema carves out and creates modes of temporality.