初生
发表于 2025-3-21 18:48:49
书目名称Etudes on the Philosophy of Music影响因子(影响力)<br> http://figure.impactfactor.cn/if/?ISSN=BK0320748<br><br> <br><br>书目名称Etudes on the Philosophy of Music影响因子(影响力)学科排名<br> http://figure.impactfactor.cn/ifr/?ISSN=BK0320748<br><br> <br><br>书目名称Etudes on the Philosophy of Music网络公开度<br> http://figure.impactfactor.cn/at/?ISSN=BK0320748<br><br> <br><br>书目名称Etudes on the Philosophy of Music网络公开度学科排名<br> http://figure.impactfactor.cn/atr/?ISSN=BK0320748<br><br> <br><br>书目名称Etudes on the Philosophy of Music被引频次<br> http://figure.impactfactor.cn/tc/?ISSN=BK0320748<br><br> <br><br>书目名称Etudes on the Philosophy of Music被引频次学科排名<br> http://figure.impactfactor.cn/tcr/?ISSN=BK0320748<br><br> <br><br>书目名称Etudes on the Philosophy of Music年度引用<br> http://figure.impactfactor.cn/ii/?ISSN=BK0320748<br><br> <br><br>书目名称Etudes on the Philosophy of Music年度引用学科排名<br> http://figure.impactfactor.cn/iir/?ISSN=BK0320748<br><br> <br><br>书目名称Etudes on the Philosophy of Music读者反馈<br> http://figure.impactfactor.cn/5y/?ISSN=BK0320748<br><br> <br><br>书目名称Etudes on the Philosophy of Music读者反馈学科排名<br> http://figure.impactfactor.cn/5yr/?ISSN=BK0320748<br><br> <br><br>
doxazosin
发表于 2025-3-21 23:46:37
https://doi.org/10.1007/978-94-015-9552-0music (J. Shepherd); language, musical language and semiotics (A. J. Greimas, C. Peirce, F. de Saussure); intra-musical and extra-musical semantics in music; and music as a language with multiple meaning (J. Fowles). The author defines musical intellect as the ability to read and understand musical language.
天空
发表于 2025-3-22 03:52:46
Twan Basten,Roelof Hamberg,Jacques Verrietnovskiy). Rejection of the static approach to time in favour of the real flow of time (V. Sesemann). The goal of musical expression is to give intonational—temporal—movement to the form of a work. Musical time is the movement of sound structures dictated by the spirit of the work understood by the interpreter.
猛击
发表于 2025-3-22 08:03:53
https://doi.org/10.1007/978-981-19-6706-1tic articulation (N. Harnoncourt). Articulation and dynamics in Baroque music (mini-dynamics, which occurs within structural units, e.g., motifs). Dotted rhythm (W. Landowska). The nuances of sound cannot be inscribed in the visual space (A. Sverdiolas). Articulation and “fidelity to the work.”
疲惫的老马
发表于 2025-3-22 12:19:52
https://doi.org/10.1007/978-94-6091-618-2ty (A. Šliogeris). Simulation occurs when the energy of the meaning of being is lacking (J. Baudrillard), for example, when the performer pretends to understand what they are playing. The loss of personality as the basis of creation (H. Gadamer). Mass consciousness (J. Ortega y Gasset). The hypertrophy of specialisation of musical studies.
anaphylaxis
发表于 2025-3-22 13:14:01
https://doi.org/10.1007/978-3-031-18884-8ds of the author, “intonational intention.” Knowledge versus understanding (A. Schopenhauer, C. Taylor, Heraclitus). Expression as the result of understanding. The author will use comparative and analogical methods, but does not claim to produce a comprehensive study of the subject of musical expression.
anaphylaxis
发表于 2025-3-22 20:50:14
Introduction,ds of the author, “intonational intention.” Knowledge versus understanding (A. Schopenhauer, C. Taylor, Heraclitus). Expression as the result of understanding. The author will use comparative and analogical methods, but does not claim to produce a comprehensive study of the subject of musical expression.
Ancestor
发表于 2025-3-22 22:18:16
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小样他闲聊
发表于 2025-3-23 04:34:11
The Parameters of Time and Expression of Music,novskiy). Rejection of the static approach to time in favour of the real flow of time (V. Sesemann). The goal of musical expression is to give intonational—temporal—movement to the form of a work. Musical time is the movement of sound structures dictated by the spirit of the work understood by the interpreter.
保守党
发表于 2025-3-23 07:50:14
Agogics and ,tic articulation (N. Harnoncourt). Articulation and dynamics in Baroque music (mini-dynamics, which occurs within structural units, e.g., motifs). Dotted rhythm (W. Landowska). The nuances of sound cannot be inscribed in the visual space (A. Sverdiolas). Articulation and “fidelity to the work.”