ADORE
发表于 2025-3-23 12:28:25
Instrumentalising Creativity: Depriving Musical Expression of Meaning,ty (A. Šliogeris). Simulation occurs when the energy of the meaning of being is lacking (J. Baudrillard), for example, when the performer pretends to understand what they are playing. The loss of personality as the basis of creation (H. Gadamer). Mass consciousness (J. Ortega y Gasset). The hypertrophy of specialisation of musical studies.
逃避现实
发表于 2025-3-23 15:18:47
Book‘‘‘‘‘‘‘‘ 2024hy of music, such as musical meaning and expression, musical ontology and the existence of the musical work, the relation between music and language, and the phenomenology of music. The book surveys the development of Western classical music from the Baroque era through to the 20th century, both fro
defray
发表于 2025-3-23 22:02:01
https://doi.org/10.1007/978-1-4419-9682-4f hermeneutics and musical hermeneutics. Analysis of the understanding of the text in light of the sources of culture which lie concealed within the inner creative force of a person, with reference to the Lithuanian composer J. Švedas and writer B. Sruoga, active in the interwar period.
漂亮
发表于 2025-3-23 23:55:22
https://doi.org/10.1007/978-1-4615-0605-8pression as the actualisation. A text is a system of signs: the sign is something which exists not as an end in itself but as a reference to something other than itself. The result of perception of the intonational links in the structure of the text is expressive intonational activity.
Rebate
发表于 2025-3-24 04:15:19
Music: A Part of Spiritual Culture,f hermeneutics and musical hermeneutics. Analysis of the understanding of the text in light of the sources of culture which lie concealed within the inner creative force of a person, with reference to the Lithuanian composer J. Švedas and writer B. Sruoga, active in the interwar period.
Nucleate
发表于 2025-3-24 07:21:01
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Alpha-Cells
发表于 2025-3-24 11:47:27
Book‘‘‘‘‘‘‘‘ 2024m the perspective of contemporary Lithuanian philosophers such as Girnius, Maceina, Šliogeris, and Jackūnas, and 20th century European philosophy. In addition to discussing key questions in the philosophy of music, the book also analyses technical musical terms such as articulation, phrasing, and rhythm. .
我悲伤
发表于 2025-3-24 16:14:39
https://doi.org/10.1007/978-3-031-63965-420th century music; music theory; Lithuanian music; classical music; musical work; ontology; expression; Op
reception
发表于 2025-3-24 21:41:10
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埋伏
发表于 2025-3-25 02:44:43
Model-Based Engineering of Embedded SystemsArticulation as the distinguishing and combining of tones (I. Braudo) and as semiotic organisation (A. J. Greimas). Articulation as the understanding and interpretation of text (P. Ricoeur, L. Wittgenstein). The means of articulation: metric, rhythmic and emotional accents (J. Cage, A. Pazovskiy).