Firefly
发表于 2025-3-25 04:22:50
Articulation,Articulation as the distinguishing and combining of tones (I. Braudo) and as semiotic organisation (A. J. Greimas). Articulation as the understanding and interpretation of text (P. Ricoeur, L. Wittgenstein). The means of articulation: metric, rhythmic and emotional accents (J. Cage, A. Pazovskiy).
杂役
发表于 2025-3-25 11:30:58
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被告
发表于 2025-3-25 13:32:21
https://doi.org/10.1007/978-3-031-15393-8etween music and numbers (Pythagoras, G. W. Leibniz, A. Schopenhauer, V. Sesemann). St Augustine’s definition of music as the ability to modulate well (.). Primeval speech as primeval song (R. Steiner). The primacy of music over the text in two traditional Lithuanian harvest songs: . (“Run, little r
monopoly
发表于 2025-3-25 18:18:36
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大火
发表于 2025-3-25 22:47:52
https://doi.org/10.1007/978-3-319-07803-8h. Hearing and understanding (G. Colombero, B. Asaf’ev; C.P.E. Bach, R. Schumann). .. The method developed by C. Martienssen. “Wunderkind complex”. The author’s recording of the Andante from the Cassation in B flat major (KV 63a) by the 13-year-old W. A. Mozart. Six elements of sound creation: pitch
有效
发表于 2025-3-26 02:07:46
https://doi.org/10.1007/978-94-015-9882-8s the following similarities with music: (1) the sonic nature of the realisation (the perception of the expression through hearing); (2) the processual nature (becoming in a particular segment of time); (3) the emotional nature (the aim of arousing affects); (4) common elements of both languages (ve
胰岛素
发表于 2025-3-26 05:13:11
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habile
发表于 2025-3-26 10:48:55
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Exclude
发表于 2025-3-26 15:28:44
Twan Basten,Roelof Hamberg,Jacques Verriet (.): the manifestation in sound of time felt internally. Musical events: a transition from one contextual situation to another (A. Benditskiy, M. Aranovskiy). Rejection of the static approach to time in favour of the real flow of time (V. Sesemann). The goal of musical expression is to give intonat
弯腰
发表于 2025-3-26 19:12:21
https://doi.org/10.1007/978-3-642-16277-0ent poetic composition. Melodic rhythm expresses the true accents of the music. Also, there is a demonstration of the energetic quality of musical movement illustrated by a recording of . by Jean Sibelius (Op. 81, No. 2) for oboe and piano, with the author playing oboe.