助手
发表于 2025-3-21 19:14:11
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Exposition
发表于 2025-3-21 20:26:07
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Thymus
发表于 2025-3-22 04:06:24
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Definitive
发表于 2025-3-22 04:55:34
Vision Machine and Modern Warfare: Visualising Invisible Powers of Images in Harun Farocki and Hitoge is a ‘visual bite, vulnerable to virtually infinite remediation’ (Joselit 2013: XIV–XV). Unlike analogue images, digital images are therefore versatile and malleable. Their material qualities are readily reproducible—digital images can be resized, stretched, copied and pasted to operate beyond th
GRIN
发表于 2025-3-22 09:47:32
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CYN
发表于 2025-3-22 14:06:25
2946-3335 representations are analysed by developing theories of war as a ‘magic spectacle’, also by using such concepts as spectres, triumph and trauma, collective social catastrophes, forensic architecture and others..978-3-031-07137-9978-3-031-07135-5Series ISSN 2946-3335 Series E-ISSN 2946-3343
CYN
发表于 2025-3-22 19:41:48
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美食家
发表于 2025-3-22 22:04:43
William R. Dubin M.D.,Robert Stolberg M.D.n rituals taking place every half-year. But in the 1980s, such ideological signs became the focus of ‘rogue’ art photographers and cinematographers. Their ironic and reflective images worked as dislocating counter-memorials against the stale reconstructions of the past.
好色
发表于 2025-3-23 04:49:56
P. Agarwal,L. Romano,H. Prosch,G. Schuellery and the expansion of capitalism, but it also provided by means of its ability to reproduce the photographic images a new means to reconsider the past in the present. That is, early cinema allowed the modern imagination to speak to its own time.
中止
发表于 2025-3-23 07:28:24
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