Kennedy
发表于 2025-3-21 16:50:43
书目名称Documenting Trauma in Comics影响因子(影响力)<br> http://figure.impactfactor.cn/if/?ISSN=BK0282339<br><br> <br><br>书目名称Documenting Trauma in Comics影响因子(影响力)学科排名<br> http://figure.impactfactor.cn/ifr/?ISSN=BK0282339<br><br> <br><br>书目名称Documenting Trauma in Comics网络公开度<br> http://figure.impactfactor.cn/at/?ISSN=BK0282339<br><br> <br><br>书目名称Documenting Trauma in Comics网络公开度学科排名<br> http://figure.impactfactor.cn/atr/?ISSN=BK0282339<br><br> <br><br>书目名称Documenting Trauma in Comics被引频次<br> http://figure.impactfactor.cn/tc/?ISSN=BK0282339<br><br> <br><br>书目名称Documenting Trauma in Comics被引频次学科排名<br> http://figure.impactfactor.cn/tcr/?ISSN=BK0282339<br><br> <br><br>书目名称Documenting Trauma in Comics年度引用<br> http://figure.impactfactor.cn/ii/?ISSN=BK0282339<br><br> <br><br>书目名称Documenting Trauma in Comics年度引用学科排名<br> http://figure.impactfactor.cn/iir/?ISSN=BK0282339<br><br> <br><br>书目名称Documenting Trauma in Comics读者反馈<br> http://figure.impactfactor.cn/5y/?ISSN=BK0282339<br><br> <br><br>书目名称Documenting Trauma in Comics读者反馈学科排名<br> http://figure.impactfactor.cn/5yr/?ISSN=BK0282339<br><br> <br><br>
指数
发表于 2025-3-22 00:09:43
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Mosaic
发表于 2025-3-22 04:11:00
Documenting Trauma in Comics978-3-030-37998-8Series ISSN 2634-6370 Series E-ISSN 2634-6389
Asparagus
发表于 2025-3-22 07:11:39
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招募
发表于 2025-3-22 10:18:02
978-3-030-38000-7The Editor(s) (if applicable) and The Author(s) 2020
rectum
发表于 2025-3-22 13:42:50
Nonoperative Correction of Foot Deformitiesky’ concept that troubles disciplinary boundaries, before suggesting that comics such as Art Spiegelman’s . (1980–1991) have played a significant role in the active .—rather than simply reflection or reification—of cultural and academic conceptions of trauma. It then turns to a critical overview of
rectum
发表于 2025-3-22 18:43:14
Yuichiro Onishi,Fumiko Sakashitacalled a trauma aesthetic, a set of recognizable tropes in widespread use in trauma narratives. This chapter examines the adoption of this aesthetic in graphic narratives, focusing on the special capacities of the form. Familiar tropes, such as dissociation and the somatic trace, are presented in co
争议的苹果
发表于 2025-3-22 22:50:30
Yuichiro Onishi,Fumiko Sakashitatory. Recently, several German-language graphic novels and comics have been published which explore the Third Reich and the Second World War from the perspective of those who experienced it first-hand: ordinary citizens, war children, Hitler Youth members, soldiers, and civilians. Such works, which
北极熊
发表于 2025-3-23 01:34:43
Yuichiro Onishi,Fumiko Sakashita back to slavery, with a clear flashpoint around the Haitian Revolution (1791–1804) when the island and its people won their independence from the French. This marks the zombie as a traumatic, racialized body. Haiti again played a prominent part in the American cultural consciousness following its m
Assemble
发表于 2025-3-23 07:47:14
https://doi.org/10.1007/978-3-030-55773-7rical senses. For Gordon, social ghosts are ‘haunting reminders of lingering trouble’ that notify us that ‘what’s been concealed is very much alive and present’ (.. Minnesota: University of Minnesota Press, 1997: xvi). This chapter draws on findings from two projects informed by the notion of social