Conscientious
发表于 2025-3-27 00:04:58
Book 2020between the comics form and the documentation and reportage of trauma? How do the interpretive demands made on comics readers shape their relationships with traumatic events? And how does comics’ documentation of traumatic pasts operate across national borders and in different cultural, political, a
PAGAN
发表于 2025-3-27 01:42:52
Book 2020nd often fraught intersections between trauma studies, comics studies, and theories of documentary practices and processes. The result is a collection that shows how comics is not simply related to trauma, but a generativeforce that has become central to its remembrance, documentation, and study.. .
accomplishment
发表于 2025-3-27 05:33:52
http://reply.papertrans.cn/29/2824/282339/282339_33.png
synchronous
发表于 2025-3-27 10:13:25
http://reply.papertrans.cn/29/2824/282339/282339_34.png
葡萄糖
发表于 2025-3-27 15:21:41
http://reply.papertrans.cn/29/2824/282339/282339_35.png
音乐等
发表于 2025-3-27 19:03:52
Yuichiro Onishi,Fumiko Sakashitaoned against the growth of economic, cultural, and ideological empire in the early Cold War. Domestic contexts contribute to racialized readings and the perceived threat of the burgeoning Civil Rights movement to existing racial, social, and economic hierarchies. Lastly, the zombie can be read in te
Vulnerary
发表于 2025-3-28 00:25:07
https://doi.org/10.1007/978-3-658-17997-7cts of culture and society is especially significant in an Indian context, where traditional, established visual representations of India and ‘Indianness’ have until now been mostly celebratory and uncritical of such issues.
heterodox
发表于 2025-3-28 02:51:33
http://reply.papertrans.cn/29/2824/282339/282339_38.png
维持
发表于 2025-3-28 10:07:37
http://reply.papertrans.cn/29/2824/282339/282339_39.png
污秽
发表于 2025-3-28 13:49:14
Hierarchies of Pain: Trauma Tropes Today and Tomorrow, and Emmanuel Lepage’s . (2012) about the aftermath of the Chernobyl nuclear disaster. By contrast, it is absent from Mazen Kerbaj’s . (2007/2017) about the Israel-Hezbollah conflict and Josh Neufeld’s . about Hurricane Katrina (2009). These works’ reliance on formalized and sanctioned trauma trope