谈判
发表于 2025-3-26 23:30:41
https://doi.org/10.1057/9781137319159the festival circuit, distribution, TV broadcasting, online circulation, regionalism, event platforms, festival competitions and premieres, film access, funding schemes, industry developments and economically sustainable business models for documentary distribution in the age of the Internet.
Flounder
发表于 2025-3-27 02:15:53
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COWER
发表于 2025-3-27 08:55:47
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malign
发表于 2025-3-27 09:50:19
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Colonoscopy
发表于 2025-3-27 14:24:58
Transnational Identities and the Mediacultural environment—created in the shadow of the San Sebastian International Film Festival, and coexisting with younger documentary festivals in Spain—he analyses the multi-layered identity of Zinebi, historically focused on the promotion of Basque, Spanish and Latin American filmmakers.
CLAIM
发表于 2025-3-27 19:15:23
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没收
发表于 2025-3-28 01:59:08
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LUDE
发表于 2025-3-28 02:05:43
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Fulminate
发表于 2025-3-28 09:00:45
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emission
发表于 2025-3-28 12:25:56
Book 2020llenges. Contributors from across the globe reflect on how documentary has positioned itself within both internationally renowned and more alternative festivals, including IDFA (Netherlands), Cannes IFF (France), Sheffield Doc/Fest (UK), Dockanema (Mozambique), Ismailia (Egypt) and Zinebi (Basque Co