hemoglobin
发表于 2025-3-28 18:29:27
Introduction to Part I, Vol. 2: Changes and Challenges for Documentary and Film Festivals hierarchies), and new technologies and aesthetics (and the curatorial role of festivals in promoting them). We focus on three different agents operating on the festival circuit: festivals, professionals and films, introducing key aspects further discussed through the chapters included in this section.
EVEN
发表于 2025-3-28 19:54:25
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轻浮思想
发表于 2025-3-29 02:36:01
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AXIS
发表于 2025-3-29 06:48:58
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辩论的终结
发表于 2025-3-29 08:38:41
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boisterous
发表于 2025-3-29 14:21:48
Selecting Films for Festivals and Documentary Funds: An Interview with Independent Film Programmer al for Documentary and Animated Film Leipzig (DOK). She is also head of the documentary competition at Sarajevo Film Festival (SFF) and is co-founder and co-organiser of the Eastern Neighbours Film Festival (ENFF) in The Hague. In this interview she reflects on programming, selection and funding within the documentary festival sphere.
Licentious
发表于 2025-3-29 16:29:21
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aplomb
发表于 2025-3-29 19:58:22
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花束
发表于 2025-3-30 01:03:01
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ordain
发表于 2025-3-30 04:13:46
Interdisciplinary Studies in Human Rightsill provide an overview of the film festival as it relates to documentary, interactivity and transmedia. Specifically, it will describe and analyze how several film festivals are currently including contemporary interactive documentaries in their programs without sacrificing their traditional event-experience for their audiences.