KEN 发表于 2025-3-21 16:35:49

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Original 发表于 2025-3-21 23:47:33

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CUR 发表于 2025-3-22 00:53:47

Introduction to Part II, Vol. 2: Professional Perspectiveswork” to readers. It presents concepts that are tacitly explored in the interviews that follow and make up this section of Volume 2. In particular the introduction familiarizes readers with interviewing as knowledge production and the experience of art and truth.

Palliation 发表于 2025-3-22 06:59:03

Notes on Disenchantment: A Conversation with Amir Al-Emary, Former Director of the Ismailia Internatal based in Egypt. The discussion includes (but is not limited to) topics of cultural politics, the development of national cinemas, democracy, freedom of expression, the Arab Spring and social movements.

Asymptomatic 发表于 2025-3-22 10:59:35

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浪费物质 发表于 2025-3-22 14:27:49

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浪费物质 发表于 2025-3-22 18:45:13

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ADAGE 发表于 2025-3-22 21:28:36

https://doi.org/10.1057/9780230591905al based in Egypt. The discussion includes (but is not limited to) topics of cultural politics, the development of national cinemas, democracy, freedom of expression, the Arab Spring and social movements.

HEW 发表于 2025-3-23 05:03:14

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有角 发表于 2025-3-23 07:37:34

https://doi.org/10.1057/9781137506863ing policies at documentary festivals, with a special focus on production and distribution. Firstly, we articulate a definition of the documentary festival. Drawing concepts developed by Bill Nichols, we elaborate on the discussion started in the introduction of our first volume (where we look at ep
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查看完整版本: Titlebook: Documentary Film Festivals Vol. 2; Changes, Challenges, Aida Vallejo,Ezra Winton Book 2020 The Editor(s) (if applicable) and The Author(s),