悲伤我
发表于 2025-3-21 19:27:14
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craven
发表于 2025-3-21 21:37:30
,From Cognitive to Cultural Theories of ‘Distribution’: A Creativity Framework,buted creativity. While extended mind and distributed cognition theories share the assumption that psychological processes don’t take place solely inside our heads, they continue to reproduce an unproductive dichotomy between the ‘internal’ and ‘external’ world. In contrast, cultural psychological v
绕着哥哥问
发表于 2025-3-22 03:42:37
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cardiac-arrest
发表于 2025-3-22 07:03:02
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Spinal-Tap
发表于 2025-3-22 09:34:39
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Gnrh670
发表于 2025-3-22 13:01:44
Why do We Need to Distribute Creativity?,usly socially, materially and temporally distributed. Several theoretical and practical consequences of adopting a view of creativity as a distributed process are presented. These concern the definition of creativity, current dichotomies between celebrated and mundane creations, the role of individu
Gnrh670
发表于 2025-3-22 17:07:24
https://doi.org/10.1007/978-94-010-1636-0 and acts from dialogue and debate regarding their meaning and their value. Ultimately, creativity is a social act even when performed in solitude. This is because creators work with other people in mind and, during their activity, they necessarily place themselves as ‘others’ in relation to their own developing creations.
联想
发表于 2025-3-23 00:25:49
https://doi.org/10.1007/978-3-319-70632-0ontrary, it can put up its own resistance to the intentions of creative people or groups. The chapter ends with discussion of how creative agency, as an emergent phenomenon, is constructed in the encounter between person and the materiality of the world.
CAPE
发表于 2025-3-23 02:14:21
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大气层
发表于 2025-3-23 08:16:05
https://doi.org/10.1007/978-94-010-1636-0ed quality of what it means to act creatively in and on the world. The example of how research on craft activities can help us unpack important ideas regarding distributed creativity is discussed, as well as the general organisation of the book.