Accord
发表于 2025-3-23 13:47:18
https://doi.org/10.1007/978-94-010-1636-0nt, as well as systemic ways of theorising creativity, a framework is proposed that articulates creative actors, audiences, actions, artefacts and affordances. Three lines of distribution of creative acts are embedded within this model: social, material and temporal.
Fretful
发表于 2025-3-23 16:51:20
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缺陷
发表于 2025-3-23 21:51:16
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HUMID
发表于 2025-3-24 02:12:00
,From Cognitive to Cultural Theories of ‘Distribution’: A Creativity Framework,nt, as well as systemic ways of theorising creativity, a framework is proposed that articulates creative actors, audiences, actions, artefacts and affordances. Three lines of distribution of creative acts are embedded within this model: social, material and temporal.
Texture
发表于 2025-3-24 05:11:37
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吹牛者
发表于 2025-3-24 06:51:17
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虚假
发表于 2025-3-24 10:46:21
Creativity and Materiality,ontrary, it can put up its own resistance to the intentions of creative people or groups. The chapter ends with discussion of how creative agency, as an emergent phenomenon, is constructed in the encounter between person and the materiality of the world.
发誓放弃
发表于 2025-3-24 15:45:17
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形状
发表于 2025-3-24 20:53:07
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Orchiectomy
发表于 2025-3-25 01:54:06
Book 2014ind or more precisely, that the human mind extends through the means of action into the world. The notion of ‘distributed creativity’ is not commonly used within the literature and yet it has the potential to revolutionise the way we think about creativity, from how we define and measure it to what