很是迷惑 发表于 2025-3-28 18:16:34

http://reply.papertrans.cn/28/2798/279782/279782_41.png

树上结蜜糖 发表于 2025-3-28 19:26:17

http://reply.papertrans.cn/28/2798/279782/279782_42.png

faculty 发表于 2025-3-28 23:34:38

http://reply.papertrans.cn/28/2798/279782/279782_43.png

Living-Will 发表于 2025-3-29 05:57:04

http://reply.papertrans.cn/28/2798/279782/279782_44.png

Dignant 发表于 2025-3-29 10:07:00

2947-5848and expressive needs of today’s artists and audiences. It also examines how theatre roles such as director, actor, playwright, costumes, and set are altered, and how ideas of body, place, and community are expanded. .978-3-030-55630-3978-3-030-55628-0Series ISSN 2947-5848 Series E-ISSN 2947-5856

GUILT 发表于 2025-3-29 11:54:51

http://reply.papertrans.cn/28/2798/279782/279782_46.png

呼吸 发表于 2025-3-29 15:45:45

Scenographyl. This chapter focuses on the creation of imaged place and discusses how scenography is altered and made plastic by digital technology. This chapter features the fluid scenography via the 3-D animated projectionist sets of Mark Reaney (. and .); .-.; and . by the Builder’s Association.
页: 1 2 3 4 [5]
查看完整版本: Titlebook: Digital Theatre; The Making and Meani Nadja Masura Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 Computer-generated.Audien