shrill
发表于 2025-3-25 03:54:40
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胆汁
发表于 2025-3-25 09:19:56
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faucet
发表于 2025-3-25 12:22:08
Ajita Rattani,Reza Derakhshani,Arun Rossth digital and theatre in terms of copresence, limited interactivity, verbal communication, and being digitally enabled, thus making it a subset of the types of works found in the broader Digital Performance Archive (DPA).
Anhydrous
发表于 2025-3-25 18:32:58
Introduction: Whose Selfie Citizenship?al space to dispersed outdoor environments. Also discussed are other distance collaborations such as . which featured three separate university theatre departments in one show. Intelligent Theatre spaces as seen at ASU, in David Saltz’s ., and the Digital Performance Group’s collaborative work ..
浪费时间
发表于 2025-3-25 23:57:22
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机密
发表于 2025-3-26 01:54:53
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真繁荣
发表于 2025-3-26 06:09:51
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Gastric
发表于 2025-3-26 10:34:55
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Abrupt
发表于 2025-3-26 13:53:56
2947-5848 t to try to tell stories using the technology available to uDigital Theatre is a rich and varied art form evolving between performing bodies gathered together in shared space and the ever-expanding flexible reach of the digital technology that shapes our world. This book explores live theatre perfor
不如屎壳郎
发表于 2025-3-26 17:54:23
Inject/ed: Self(ie) Determinationhers (with wearable computers tracking movements), the University of Georgia’s . (where the body of the actor controls the animated scenery), and Mark Reaney’s . (which allows the actor’s voice to create the visual scenery).