Insulin
发表于 2025-3-25 05:39:42
Die Bilanzwahrheit und die Bilanzlügecult things: to be faithful, expressive and elegant. For a translation to be faithful to the original is difficult enough, and yet if it is not expressive, it is tantamount to having no translation. Hence expressiveness should also be required….
Heart-Attack
发表于 2025-3-25 10:29:37
Die Bilanzwahrheit und die Bilanzlügeslation. However, they took the plunge. After several false starts and various setbacks, and having survived a major earthquake and other momentous events in the meantime, they brought the work to completion in early 1978.
Distribution
发表于 2025-3-25 12:25:34
Book 2015ples, with special attention given to that between Chinese literature and western literature in the 20.th. century, and which underscore the role of translation therein. Both collections have been previously published in book form: Degrees of Affinity—Studies in Comparative Literature (1985) and A S
Nomadic
发表于 2025-3-25 19:29:07
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粗语
发表于 2025-3-25 20:39:52
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烦忧
发表于 2025-3-26 01:49:35
Chinese Modernists and Their Metamorphoses,picked up European modernism through Japanese intermediaries and a rather hectic exoticism developed. But it was in poetry, perhaps, that the most determined efforts were made, in the 1930s and 1940s, to transplant European modernism.
Pulmonary-Veins
发表于 2025-3-26 04:23:18
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GLEAN
发表于 2025-3-26 08:35:30
Translation Standard in China: A Survey,cult things: to be faithful, expressive and elegant. For a translation to be faithful to the original is difficult enough, and yet if it is not expressive, it is tantamount to having no translation. Hence expressiveness should also be required….
含糊其辞
发表于 2025-3-26 15:15:27
Reflections on a Dictionary,slation. However, they took the plunge. After several false starts and various setbacks, and having survived a major earthquake and other momentous events in the meantime, they brought the work to completion in early 1978.
自作多情
发表于 2025-3-26 17:31:30
Die Bewältigung des Unplanbaren subjected to, so that to this day there is no history of Chinese literature published in China, or elsewhere in the world, for that matter, that is found generally acceptable to most Chinese scholars. Their main objection to many of these “histories” is that there is little that is distinctly Chinese in them.