Lincoln 发表于 2025-3-21 17:40:26
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Hospitaller Sisters in the Twelfth Century, America. Acknowledging musical comedy as an international commodity, the chapter concludes by arguing that the international tours and transfers facilitated by Charles Frohman and Maurice E. Bandmann between 1890 and 1920 amount to ‘cultural colonialism’ by the British, across the Empire and elsewhere.exercise 发表于 2025-3-22 11:33:53
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The British Musical in Seven Stories,en Britishness and the English is introduced. It concludes by asking how British musical theatre, from 1890 to 1939, performed Britishness as a cultural identity marker, before offering an outline of the book as a whole.轻浮女 发表于 2025-3-22 17:15:05
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Femininity: Cinderellas and Caretakers However, they each marry into the aristocracy with (often unwelcome) help from a second, elder female figure, who is determined to perpetuate ‘respectable’ patriarchal structures of society, reflecting an era in which tensions surrounding women’s liberation were rising to the surface.抱狗不敢前 发表于 2025-3-23 04:11:59
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Peace: Nostalgia and Nationhoodter concludes with a discussion of Noël Coward’s . (1931) as a work that intended to critique the British imperial narrative, but was paradoxically lauded as celebratory of that narrative, as the world again headed toward conflict.