彻底检查
发表于 2025-3-23 11:56:22
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瘙痒
发表于 2025-3-23 16:40:59
Conflict: Continuity and Change, popular successes such as . (1916) continued to offer escapism and romance, while the musical stage saw a refocusing away from tensions of the urban or the rural towards a newly re-masculinised sense of the local and the global, as Britishness was inevitably and irrevocably changed forever.
转向
发表于 2025-3-23 20:49:07
The English Musical in Many Storieshe introductory chapter, the suggestion is made that the ‘British musical theatre’ explored in this book is actually ‘English musical theatre’, after which the chapter reflects on the problems associated with this term and concludes with provocations for further research.
propose
发表于 2025-3-24 01:51:22
Book 2018 Broadening in scope, Part Two offers a revisionary reading of Empire and Otherness on the musical stage, and concludes with a consideration of the Great War and the interwar period, as musical theatre performed a nostalgia for a particular kind of ‘Britishness’, reflecting the anxieties of a nation in decline.
投票
发表于 2025-3-24 06:14:39
Book 2018he vitality and centrality of the musical stage, as a global phenomenon in late-Victorian popular culture and beyond. Through a re-examination of over fifty archival play-scripts, the book comprises seven interconnected stories told in two parts. Part One focuses on domestic and personal identities
JEER
发表于 2025-3-24 09:18:18
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群岛
发表于 2025-3-24 12:18:11
The Lay Sisters of Saint John of Jerusalem,, popular successes such as . (1916) continued to offer escapism and romance, while the musical stage saw a refocusing away from tensions of the urban or the rural towards a newly re-masculinised sense of the local and the global, as Britishness was inevitably and irrevocably changed forever.
缩短
发表于 2025-3-24 15:14:05
The Order of Saint John of Jerusalem,he introductory chapter, the suggestion is made that the ‘British musical theatre’ explored in this book is actually ‘English musical theatre’, after which the chapter reflects on the problems associated with this term and concludes with provocations for further research.
委屈
发表于 2025-3-24 22:05:29
2946-4137 pact of late-Victorian and Edwardian musical comedy on populThis book examines the performance of ‘Britishness’ on the musical stage. Covering a tumultuous period in British history, it offers a fresh look at the vitality and centrality of the musical stage, as a global phenomenon in late-Victorian
刚开始
发表于 2025-3-25 01:22:09
The British Musical in Seven Stories,sh musical theatre history, the chapter continues by introducing the conditions within late Victorian urban modernity from which early musical comedy first appeared, with George Edwardes’ . in 1892. Identifying the middle class as a key audience for this new urban form, key concepts of class and ‘kn