我不明白 发表于 2025-3-25 05:20:21

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异端邪说下 发表于 2025-3-25 09:41:47

Femininity: Cinderellas and Caretakers and private (domestic) spaces in Victorian and Edwardian society. Drawing on two contrasting configurations of femininity, the chapter demonstrates the increasing complexity of women’s place in the urban metropolis. First, with reference to the use of the popular Cinderella narrative as a basis for

基因组 发表于 2025-3-25 14:04:10

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独特性 发表于 2025-3-25 16:01:25

Empire: Ornamentalism and Orientalismd a more significant impact on the representation of different cultures than previously realised. Many analyses understand musical comedy depictions of the Far East on the basis of racial difference, but this chapter offers a revisionary reading based on a world-view determined by social class, offe

Ancillary 发表于 2025-3-25 22:51:01

Conflict: Continuity and Changel and patriotic, and yet offer a sense of reassuring continuity—the period surrounding World War I saw the rise of the revue as a form which seemed to embody a fractured society, and the democratising of characters on the musical stage across all classes. Alongside recruiting revues such as . (1914)

Salivary-Gland 发表于 2025-3-26 00:45:33

Peace: Nostalgia and Nationhoodo, and Vivian Ellis, which eschewed the urban modernity of the prewar years and offered a romantic idyll of Ruritanian Britishness for a devastated nation, while knowing that such an ideal was irretrievable. The interwar years were marked by the return of intensely hierarchical class structures, and

你敢命令 发表于 2025-3-26 06:25:02

The English Musical in Many Storiesmusical comedy—arising from the metropolitan imperatives of late Victorian modernity—configured Britishness as a sprawling, contradictory, paradoxical cultural identity, full of imperial anxieties, domestic uncertainty, and personal challenges. Returning to the definition of Britishness offered in t

Bridle 发表于 2025-3-26 12:28:48

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MODE 发表于 2025-3-26 15:26:21

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任命 发表于 2025-3-26 19:35:24

https://doi.org/10.1057/978-1-137-59807-3Cultural identity; British musical theatre; Victorian popular culture; Britishness; Nationhood; Class; Gen
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查看完整版本: Titlebook: Cultural Identity in British Musical Theatre, 1890–1939; Knowing One’s Place Ben Macpherson Book 2018 The Editor(s) (if applicable) and The