Rankle
发表于 2025-3-23 11:13:35
öwall and Wahlöö’s interrogation of the function and role of the individual as well as the relationship between individual and collective, both in their approach to the police procedural format, and in devising a collaborative writing voice and sensibility..
锯齿状
发表于 2025-3-23 17:21:54
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暂时休息
发表于 2025-3-23 18:28:02
American and Canadian contexts. The authors explore representations of race, gender, sexuality and memory, and challenge traditional categorisations of academic and professional crime writing.978-1-349-34614-1978-1-137-01676-8
clarify
发表于 2025-3-23 23:01:30
od musical. Notwithstanding Scorsese’s explicitly musical narrative and documentary films such as . (1977), . (1978), . (1987), . (2003), . (2005) and . (2008), key elements of the musical infuse all of his films well beyond the obvious factor of the use of music itself.
MAG
发表于 2025-3-24 04:20:11
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Guaff豪情痛饮
发表于 2025-3-24 09:25:24
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CHASM
发表于 2025-3-24 13:33:28
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障碍物
发表于 2025-3-24 16:40:52
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Perceive
发表于 2025-3-24 22:50:51
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过于平凡
发表于 2025-3-25 01:15:03
The Fact and Fiction of Darwinism: The Representation of Race, Ethnicity and Imperialism in the Sheent decades. Notable examples include Gillian Beer’s . (1983), George Levine’s . (1988) and Joseph Carroll’s (2004) .. Similarly, literary scholars from Dorothy L. Sayers, in the Introduction to . (1929) to Stephen Knight in . (2004) in the early twenty-first century have examined numerous aspects of the roles and lives of fictional detectives.