indifferent
发表于 2025-3-25 04:35:53
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gerrymander
发表于 2025-3-25 10:38:33
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Vulnerary
发表于 2025-3-25 15:41:31
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格子架
发表于 2025-3-25 16:37:16
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synovium
发表于 2025-3-25 20:15:38
ly more dynamic, exhilarating notions of narrative and history” (Eagleton 2008: xii). This observation also applies to much criticism of crime fiction, which has tended to treat the genre primarily in terms of narrative structure and temporality, rather than in terms of spatiality, mostly because of
Oligarchy
发表于 2025-3-26 02:55:55
ent decades. Notable examples include Gillian Beer’s . (1983), George Levine’s . (1988) and Joseph Carroll’s (2004) .. Similarly, literary scholars from Dorothy L. Sayers, in the Introduction to . (1929) to Stephen Knight in . (2004) in the early twenty-first century have examined numerous aspects o
政府
发表于 2025-3-26 04:42:05
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Acupressure
发表于 2025-3-26 12:11:03
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flex336
发表于 2025-3-26 16:02:56
queer fictions that self-consciously play upon the multiple resonances of the outlaw. Making extensive use of the hermeneutic code, the text operates much like detective fiction, accumulating clues for the reader and the protagonist to decipher. Cultural insiders who understand the rules of the gam
能得到
发表于 2025-3-26 17:29:08
s a close adaptation of the novel . (2004) which is the first in a series written by the Florida-based writer Jeff Lindsay. The TV series was adapted by James Manos Jnr and first shown on the cable station Showtime in 2006. Set in Miami, the series explores the world of Dexter Morgan who leads a dou