Choreography 发表于 2025-3-26 22:33:57

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vasospasm 发表于 2025-3-27 01:53:38

Hans Joachim Braun,Wolfhard Webertures made with . data through their use of specialized digital tools. . offers an insightful view of the social ordering of amateurs’ practices because of its development as a means of communication of professional data for non-professionals, but also because its use was mediated by amateur astrono

Gesture 发表于 2025-3-27 06:06:31

Was ist Theoretische Pathologie?e and resources required to adopt it. I argue that the mutable nature of the software platform, Dolby’s ambitious expansion strategy, and challenging economic conditions in the music industry at large render these investments highly precarious. I contend that the associated risks fall disproportiona

摇曳 发表于 2025-3-27 10:56:47

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Cloudburst 发表于 2025-3-27 16:19:13

Electrode Potential Measurements,stand the shift in cultural production from cultural tools to platform tools and its impacts on cultural producers. “Platform tools” refer to the combined set of software-based resources that are infrastructurally integrated with data-driven platform companies. They are distinct from “cultural tools

fluoroscopy 发表于 2025-3-27 19:19:42

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欢笑 发表于 2025-3-28 00:05:49

Hans Joachim Braun,Wolfhard WeberIDIA’s GameGAN to production-ready tools like Ludo AI and its impact on the contemporary ‘technological imaginary’ of digital gaming. Game-making, particularly the creation of procedural complexity from a few, simple rules, has repeatedly been characterized as a magic trick, which is not fully ratio

PANG 发表于 2025-3-28 05:36:21

Hans Joachim Braun,Wolfhard Weberrgely marketed to amateur producers and engineers working in the genres of pop, hip hop, and R&B—to examine the politics of amateurism, skill-building, and masculinity in digital music production environments. Instead of treating these software as completely novel musical tools, the chapter situates

天然热喷泉 发表于 2025-3-28 06:18:04

Hans Joachim Braun,Wolfhard Webercontemporary cultural production. We develop this sketch through an analysis based on fieldwork of a graduate digital media training program. After a brief introduction, we begin the chapter by discussing our conceptual framework for the tool agnostic as figuration. We argue that it affords its acto

bromide 发表于 2025-3-28 13:31:33

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查看完整版本: Titlebook: Creative Tools and the Softwarization of Cultural Production; Frédérik Lesage,Michael Terren Book 2024 The Editor(s) (if applicable) and T