CON
发表于 2025-3-23 12:18:58
The Creative Appropriation of a Scientific Software: The FITS Liberator, a Case Studyntists, image processors, and other users of this type of data need to master their idiosyncratic file format, the ., or . format. For nearly 20 years, one software has aligned many of the actors who create the images we see everywhere online, on television, and in the newspapers: the .. The user-fr
潜移默化
发表于 2025-3-23 17:16:27
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EXCEL
发表于 2025-3-23 21:24:38
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LAP
发表于 2025-3-23 23:24:11
The Spatial Languages of Virtual Production: Critiquing Softwarization with Aesthetic Analysisonship between Unreal Engine’s management of multiple spaces (3D, physical, cinematographic) and the spatial aesthetics of the images it produces. It draws on the media-epistemological work of Vilem Flusser and Wendy H. K. Chun to establish the stakes of such an analysis and point towards the episte
Tailor
发表于 2025-3-24 02:39:21
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西瓜
发表于 2025-3-24 09:53:52
Autoharps, Chord Organs, and MIDI Packs: Easy-Playing Instruments, Gender, and Classes of Musical Pahat the autoharp and chord organ marketed have given way to fantasies of professionalized “progress.” I argue that each instrument, in its historical moment, makes promises of creativity and ease that act as surreptitious promises of class mobility and inclusion, but that the easy-playing software i
用树皮
发表于 2025-3-24 11:17:07
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羊栏
发表于 2025-3-24 18:34:05
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Prosaic
发表于 2025-3-24 22:13:30
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漫步
发表于 2025-3-25 00:40:29
The Creative Appropriation of a Scientific Software: The FITS Liberator, a Case Studytures made with . data through their use of specialized digital tools. . offers an insightful view of the social ordering of amateurs’ practices because of its development as a means of communication of professional data for non-professionals, but also because its use was mediated by amateur astrono