Grandstand
发表于 2025-3-25 04:51:46
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可卡
发表于 2025-3-25 08:31:34
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不能和解
发表于 2025-3-25 15:36:36
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BOLUS
发表于 2025-3-25 18:38:51
Book 2024s for understanding this complex, emerging, and dynamic field that speaks beyond the disciplinary categories of ‘tool,’ ‘instrument,’ and/or ‘software’. It makes a unique intervention in the fields of cultural production and the cultural and creative industries.. .
泥瓦匠
发表于 2025-3-25 20:46:16
Electrode Potential Measurements,atform tools. These tool-related decisions are not made in a vacuum, but rather formed by interactions between various groups or “sides” of the platform (e.g., cultural producers, developers, and end-users). Second, interactions among users are managed by platform companies, who facilitate what busi
拱形大桥
发表于 2025-3-26 03:14:30
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退出可食用
发表于 2025-3-26 06:56:04
Hans Joachim Braun,Wolfhard Weberty, changing workflows, and equitable working conditions that can be inferred from the already-observable cultural and aesthetic implications of AI in visual design work. The chapter analyzes these hopes, fears, and expectations as part of a broader ‘technological imaginary’ of game-making through a
单独
发表于 2025-3-26 11:39:03
Hans Joachim Braun,Wolfhard Weberhat the autoharp and chord organ marketed have given way to fantasies of professionalized “progress.” I argue that each instrument, in its historical moment, makes promises of creativity and ease that act as surreptitious promises of class mobility and inclusion, but that the easy-playing software i
onlooker
发表于 2025-3-26 15:05:23
Hans Joachim Braun,Wolfhard Weber like the one encountered in the fieldwork, demonstrating how these institutions impart creative practice as something that is interdisciplinary, industry-oriented, and organizationally flexible. We then relate three vignettes of encounters with the tool agnostic over the course of the 16 months of
Dissonance
发表于 2025-3-26 18:20:27
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