DEIFY
发表于 2025-3-21 18:16:10
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祖传
发表于 2025-3-21 23:08:46
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Oafishness
发表于 2025-3-22 03:13:38
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brachial-plexus
发表于 2025-3-22 06:30:05
An Example of an Early STAPP Interviewmer/audience relationship. Crowd involvement and cooperation being instrumental to creating and building intensity and unity, can the rap performance still work as a cooperative venture with non-black fans singing black rappers’ unaltered lyrics?
glisten
发表于 2025-3-22 09:18:00
https://doi.org/10.1007/978-1-4899-0843-8 that creates a situation. And it’s what it’s always been. It’s been a call-and-response, an answer, because you connect with the audience, it’s a connection. You’ve got to make a connection with the crowd. That’s what every MC’s goal is. To connect with the crowd.
细颈瓶
发表于 2025-3-22 16:34:31
Vincent M. Liguori,Marsha L. Landoltt reflects on call-and-response as a longstanding rhetorical and musical practice that is unquestionably prominent in the sociocultural practices of some black communities in the US, but not, as many scholars contend, a uniquely ‘black’ feature. It first revisits the prevalent discourse on the Afric
细颈瓶
发表于 2025-3-22 17:41:38
Short-Term Dynamic Psychotherapy seminal years exerted a significant influence over rap lyricism, especially in terms of its focus on call-and-response strategies and its emphasis on collective participation. The performance philosophy of the early days, in which the individual and group are affirmed simultaneously, survived the t
figure
发表于 2025-3-22 21:47:49
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拘留
发表于 2025-3-23 04:09:16
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确保
发表于 2025-3-23 05:46:35
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