DOLT
发表于 2025-3-26 22:13:24
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PET-scan
发表于 2025-3-27 04:10:03
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会议
发表于 2025-3-27 06:33:36
Conclusion,ched into his first song, I felt as if all my assumptions on rap and collective participation were about to be shattered. Busdriver was rapping alone on stage, barely establishing eye contact with the audience. His minimalist DJ setup consisted of a smartphone, a portable Roland SP-404SX sampler and
狂热文化
发表于 2025-3-27 13:07:41
Short-Term Dynamic Psychotherapyransition through the emphasis on call-and-response-based practices. Rap lyricism prolonged the “live” characteristic of pre-1979 performances through a prevailing conversional tone involving an interactive, interdependent, spontaneous process for achieving a sense of unity in which listeners have a sense of inclusiveness.
Immunotherapy
发表于 2025-3-27 16:51:14
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V洗浴
发表于 2025-3-27 21:51:09
Vincent M. Liguori,Marsha L. Landoltome black communities in the US, but not, as many scholars contend, a uniquely ‘black’ feature. It first revisits the prevalent discourse on the African roots of call-and-response, examining how it came to epitomize ‘black’ music. It then examines the chief functions of call-and-response.
使高兴
发表于 2025-3-27 22:59:00
Short-Term Dynamic Psychotherapyon stage, barely establishing eye contact with the audience. His minimalist DJ setup consisted of a smartphone, a portable Roland SP-404SX sampler and two microphones. There was no DJ or hype man working the crowd, only Busdriver moving from the stage to his sampler where he spent long bits bent over the device, playing with sound effects.
极深
发表于 2025-3-28 04:46:19
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BUST
发表于 2025-3-28 09:19:19
Conclusion,on stage, barely establishing eye contact with the audience. His minimalist DJ setup consisted of a smartphone, a portable Roland SP-404SX sampler and two microphones. There was no DJ or hype man working the crowd, only Busdriver moving from the stage to his sampler where he spent long bits bent over the device, playing with sound effects.
爆炸
发表于 2025-3-28 10:30:36
,“Keeping It , Live!” Maintaining Collective Participation on Records,ransition through the emphasis on call-and-response-based practices. Rap lyricism prolonged the “live” characteristic of pre-1979 performances through a prevailing conversional tone involving an interactive, interdependent, spontaneous process for achieving a sense of unity in which listeners have a sense of inclusiveness.