Allure
发表于 2025-3-30 11:41:43
https://doi.org/10.1007/978-3-319-90332-3Cognitive Theory; media; production; intra-textuality; documentary; neuroscience; psychology; character; edi
想象
发表于 2025-3-30 14:05:09
978-3-030-07993-2The Editor(s) (if applicable) and The Author(s) 2018
向外供接触
发表于 2025-3-30 17:23:26
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labyrinth
发表于 2025-3-30 21:03:12
Introduction: Intersecting Cognitive Theory and Documentary Film,hat filters reality through the prism of factual media; hence, their emotional and cognitive comprehension of the world is, to a significant extent, informed and consolidated by documentaries. This volume seeks to illuminate the production, exhibition and reception of documentaries, exploring intrat
Criteria
发表于 2025-3-31 03:54:06
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GRATE
发表于 2025-3-31 08:57:30
Little Voices and Big Spaces: Animated Documentary and Conceptual Blending Theoryonstrating its potential to explain how filmmakers conceive, and how spectators experience and interpret this idiosyncratic documentary form. The analysis focuses on the Colombian animated documentary . (. and . 2011), addressing the interaction between the real characters’ voices from interviews (c
Genome
发表于 2025-3-31 11:09:42
Documentary Spectatorship and the Navigation of “Difficulty”is is particularly the case with films that subvert conventional documentary approaches to knowledge in order to make the spectator question what is presented to them and to “work” at producing meaning and significance from what are often divergent indications. The cognitive profiles of two films, .