Confess 发表于 2025-3-26 22:37:50
http://reply.papertrans.cn/23/2292/229143/229143_31.pngchondromalacia 发表于 2025-3-27 01:12:31
http://reply.papertrans.cn/23/2292/229143/229143_32.pngCanopy 发表于 2025-3-27 09:22:24
http://reply.papertrans.cn/23/2292/229143/229143_33.png可互换 发表于 2025-3-27 13:06:07
http://reply.papertrans.cn/23/2292/229143/229143_34.png山顶可休息 发表于 2025-3-27 17:23:13
http://reply.papertrans.cn/23/2292/229143/229143_35.png就职 发表于 2025-3-27 21:14:48
http://reply.papertrans.cn/23/2292/229143/229143_36.png火花 发表于 2025-3-28 00:34:05
http://reply.papertrans.cn/23/2292/229143/229143_37.png土坯 发表于 2025-3-28 04:32:30
Whither Chromium in Gallium Arsenide?’ evaluations of a documentary’s truthfulness. It argues that viewers use a series of cognitive heuristic tools, such as availability, representativeness and anchoring, based on their individual cognitive and affective dispositions, including the personal relevance of a given documentary. It furtherDelude 发表于 2025-3-28 08:22:24
A. Mircea-Roussel,G. Jacob,J. P. Hallaisorytelling as a craft. Documentary filmmakers today read screenwriting manuals, study dramatic works and deliberately borrow strategies from fiction films. Even those with experimental leanings frequently describe their work in terms of stories. This tendency, for the most part, seems harmless enougInculcate 发表于 2025-3-28 11:14:43
http://reply.papertrans.cn/23/2292/229143/229143_40.png