Ascribe
发表于 2025-3-25 05:50:16
Crafting the CVR Experience so as to Guide the Viewer,g narratives in 360-degree space. The explored CVR films offer an authored narrative but also give the audience agency to choose their viewpoint of the action. This calls for creators to strike a balance between viewer freedom and viewer focus, so that viewers can interact with story elements while
纯朴
发表于 2025-3-25 09:17:58
The CVR Project on the Page or on the Screen: Writing and Conceptualisation,r or in a variety of digital formats. The author interrogates a range of project-planning documents such as screenplays, story-world bibles, shooting diagrams, storyboards and mock-ups, so as to explore the diverse range of approaches to CVR ‘writing’ that are currently being utilised. An analysis o
颠簸下上
发表于 2025-3-25 15:03:38
Script and Project Development Practices, of collaboration. Due to an identified blurring between CVR writing and production, this calls for an exploration of ‘project’ development, a process that encompasses ‘script’ development, that involves complex and varied interactions between individuals and institutions, and that results in the wr
indignant
发表于 2025-3-25 19:32:47
http://reply.papertrans.cn/23/2266/226554/226554_24.png
ALIAS
发表于 2025-3-25 21:30:06
http://reply.papertrans.cn/23/2266/226554/226554_25.png
EVADE
发表于 2025-3-26 00:44:08
Kath DooleyExplores the challenges and opportunities for both practitioners and viewers offered by the immersive 360-degree storytelling form.Interrogates four key concepts: immersion, presence, embodiment and p
Psychogenic
发表于 2025-3-26 06:43:12
http://image.papertrans.cn/c/image/226554.jpg
懒洋洋
发表于 2025-3-26 10:35:20
http://reply.papertrans.cn/23/2266/226554/226554_28.png
朦胧
发表于 2025-3-26 13:21:05
http://reply.papertrans.cn/23/2266/226554/226554_29.png
chronicle
发表于 2025-3-26 19:18:10
http://reply.papertrans.cn/23/2266/226554/226554_30.png