具体
发表于 2025-3-28 16:41:10
,C. H. Sisson in Exile, or, Versions and Perversions of Ovid’s ,eir profound influence on him (e.g. “Horace”, “Eclogue”) (As he says in the preface to his . , xi: “My own verse has been profoundly affected by the interests and aspirations indicated by my choice of matter to translate, and what I have been able to do, and such un
废墟
发表于 2025-3-28 22:05:28
,‘Magnificent Anachronism’: Sisson in the Seventeenth Century, a year (circa 1932) I must have been contemporary,’ he famously said, self-identifying with a moment awkwardly positioned at the tail-end of high modernism’s first wave. In the autobiographical essay ‘Natural History’ Sisson goes on to explain how this early sense of being out of his time drove him
讥笑
发表于 2025-3-29 01:17:22
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biopsy
发表于 2025-3-29 04:12:51
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彩色的蜡笔
发表于 2025-3-29 08:07:32
Identity and Incarnation in the Poetry of C. H. Sisson, a religious poet than in any other respect. This is not to imply that his only major poems are religious ones, or that his best verse is the most explicitly religious—though there may be some truth in this—but rather that his poetic identity is assembled around questions of faith; that the challeng
Assault
发表于 2025-3-29 12:08:35
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appall
发表于 2025-3-29 17:58:43
2946-3017 ation studies and early modern literature as well as modern English poetry, and concludes with a more personal essay on Sisson’s work by Michael Schmidt, his publisher..978-3-031-14830-9978-3-031-14828-6Series ISSN 2946-3017 Series E-ISSN 2946-3025
prodrome
发表于 2025-3-29 23:03:47
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Left-Atrium
发表于 2025-3-30 00:51:29
https://doi.org/10.1007/978-981-10-2784-0in 1921) attract him as much as those of Hamlet. In a poem elucidating Hamlet’s dark sketch of mankind’s better qualities, which he himself is unable to appreciate through a veil of melancholy, Sisson appears to identify with this feeling of being detached from one’s own moment: ‘The man of quality
妈妈不开心
发表于 2025-3-30 06:50:04
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