腐蚀 发表于 2025-3-26 23:52:50
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https://doi.org/10.1007/978-981-10-2784-0eir profound influence on him (e.g. “Horace”, “Eclogue”) (As he says in the preface to his . , xi: “My own verse has been profoundly affected by the interests and aspirations indicated by my choice of matter to translate, and what I have been able to do, and such un令人不快 发表于 2025-3-27 06:49:44
https://doi.org/10.1007/978-981-10-2784-0 a year (circa 1932) I must have been contemporary,’ he famously said, self-identifying with a moment awkwardly positioned at the tail-end of high modernism’s first wave. In the autobiographical essay ‘Natural History’ Sisson goes on to explain how this early sense of being out of his time drove him纹章 发表于 2025-3-27 09:50:27
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https://doi.org/10.1007/978-1-4471-1613-4 a religious poet than in any other respect. This is not to imply that his only major poems are religious ones, or that his best verse is the most explicitly religious—though there may be some truth in this—but rather that his poetic identity is assembled around questions of faith; that the challeng全神贯注于 发表于 2025-3-27 22:11:52
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