Lignans
发表于 2025-3-25 06:31:26
https://doi.org/10.1007/978-1-349-16763-0-scaffold staging and . inform the dramaturgy of masque and antimasque. Finally the chapter also considers the masque in the anthropological terms of Victor Turner and Richard Schechner, suggesting that we might consider it ‘pseudo-liminal’, like satire.
无所不知
发表于 2025-3-25 08:59:49
Habermas and Ricoeur’s Depth Hermeneuticsre of the masque, and the ways in which its genre determines how its metaphors operate. The chapter ends with a discussion of why this matters, exploring the implications both for social justice and the very notion of history.
轻而薄
发表于 2025-3-25 15:44:35
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主动
发表于 2025-3-25 17:23:32
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惹人反感
发表于 2025-3-25 22:56:09
Christian B. Lang,Leopold Mathelitsch Bruce Boehrer, Erica Fudge and Andreas Höfele amongst others. It explores how Shakespearean metatheatre addresses the use of animals, arguing that animal actors represent a significant additional metatheatrical resource.
变形
发表于 2025-3-26 00:25:41
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哑巴
发表于 2025-3-26 06:40:08
https://doi.org/10.1007/978-3-031-53987-9animal performance studies; early modern drama; metatheatre; monkeys and apes on stage; Shakespeare; poli
侵蚀
发表于 2025-3-26 12:31:15
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floodgate
发表于 2025-3-26 13:03:09
The Renaissance Animal: Critics and Contexts, Bruce Boehrer, Erica Fudge and Andreas Höfele amongst others. It explores how Shakespearean metatheatre addresses the use of animals, arguing that animal actors represent a significant additional metatheatrical resource.
synchronous
发表于 2025-3-26 18:02:13
,‘Somewhat Like A Man’: Apes, Boy Players, Women, and women, ‘lesser’ beings, and monkeys is particularly powerful in plays written for the boys’ companies between 1600 and 1613. These associations play out in . (pr. 1605) and . (pr. 1606)—both written for the Children of the Chapel/Queen’s Revels—and in . (pr. 1611), according to its title page given by the ‘Children of the King’s Revels’.