正式通知
发表于 2025-3-23 12:12:06
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CAB
发表于 2025-3-23 16:06:01
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Cupidity
发表于 2025-3-23 20:43:50
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Commission
发表于 2025-3-23 22:50:04
Conclusion: A Productive Distortionregrounds the topsy-turvy caused by collective purpose gone wrong. Shirley’s inverted world, where the ape-ward falls in love with his apes, becomes a microcosm of the political (dis)order of the 1650s.
欢笑
发表于 2025-3-24 03:48:46
Habermas and Ricoeur’s Depth Hermeneutics Davenant’s use of the tumbling apes in ., disguising a dangerous political joke about Cromwell as a variety act. The contexts of the masque suggest that Davenant’s pragmatic co-operation with the Protectorate disguised a subversive Royalist agenda, using performing monkeys to expose Cromwell as fraud and usurper, if only to a coterie audience.
Generator
发表于 2025-3-24 10:15:06
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ANT
发表于 2025-3-24 13:55:46
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女上瘾
发表于 2025-3-24 15:06:21
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Bph773
发表于 2025-3-24 19:47:59
The End of the Antique Measures,l’s great ape discoveries, the new attitude to scientific investigation and the seventeenth-century stage’s increasing use of metatheatrical and intertheatrical devices created the conditions for the stage ape to be particularly expressive in a period of significant political and social unrest.
撕裂皮肉
发表于 2025-3-25 02:39:03
Book 2024e apes glimpsed in Shakespeare’s plays in the wider context of the many uncelebrated uses by other playwrights, c. 1603-1659. The book investigates the theatrical appearances of real monkeys, actors dressed up as apes, and characters mistaken for them, arguing that the ape trope is so insistent in e