proptosis
发表于 2025-3-21 18:04:47
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acrobat
发表于 2025-3-21 21:00:10
Picking Up the Pieces: Contemporary Australian Cinema and the Representation of Australian Film Histween the 1960s and 1990s—including . (1967), . (1978) and . (1995)—that acted to recognise a forgotten, if broadly conceptualised, history of Australian cinema and make claims for the resurgence and continuity of its ‘revival’. This chapter looks at a range of contemporary feature-length documentar
新鲜
发表于 2025-3-22 03:35:47
Australian Blockbuster Moviescharacteristics of the Hollywood blockbuster can take on new meaning in different national production systems, they nevertheless provide a useful framework for distinguishing ‘local’ examples. Drawing on blockbuster studies, this chapter delineates peculiarities in defining high-budget movies in the
CRUMB
发表于 2025-3-22 07:47:00
UnAustralians: Australian Characters in Non-Australian Filmsbeen considered in the conversation around cinema in this country. Examples can be found from cinema’s early days, and in contemporary films. For the most part, they draw on conservative and anachronistic stereotypes that do not represent or reflect the cultural, ethnic and racial diversity of conte
争吵加
发表于 2025-3-22 09:10:26
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意外
发表于 2025-3-22 16:41:29
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CAGE
发表于 2025-3-22 19:16:43
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Tremor
发表于 2025-3-22 23:25:57
The Laughter and the Tears: Comedy, Melodrama and the Shift Towards Empathy for Mental Illness on Sce describes as ‘the shift towards empathy’. Building on earlier films such as . (1990) and . (1996), these Australian films and TV shows offered portrayals of mental illness that went beyond cliché and stereotype, and instead presented complex, empathetic characters who were the protagonist or the p
Constrain
发表于 2025-3-23 04:05:44
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Irritate
发表于 2025-3-23 09:34:51
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