绊住 发表于 2025-3-30 08:49:10

George Eliot, Music and Victorian Cultureaesthetic characteristics can be understood in relation to contemporary international art-horror trends, whilst achieving Kent’s objective of using the horror genre to explore dark aspects of parenthood. . success as art-horror is an example of the ‘international turn’ in Australian film production during the twenty-first century.

摇晃 发表于 2025-3-30 15:19:11

George Eliot: An Intellectual Lifere Margot Nash’s personal essay documentary film . (2015), Sophie Hyde’s queered coming-of-age film . (2014) and Sue Brooks’ dramedy . (2015). Whilst these three films differ in genre, aesthetic and budget, each uses interruption as way of creating spaces for different kinds of intergenerational female stories.

Substitution 发表于 2025-3-30 17:23:33

Philosophy, Politics and Historyoint of audience identification. To illustrate this shift, Hopgood examines five feature films that traverse melodrama and comedy—. (2007); . (2007); . (2008); . (2009); and . (2012)—and finds that each employs a range of strategies to encourage our empathy for the character living with a mental illness.

Detain 发表于 2025-3-31 00:38:59

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Foam-Cells 发表于 2025-3-31 04:12:46

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progestogen 发表于 2025-3-31 08:37:46

George Eliot’s Originals and Contemporariesred the text in terms of film genre. Yet, as this chapter argues, the film’s attempt to develop a subversive depiction of colonial Australian violence is limited by the film’s formulaic approach to genre and an orthodox representation of settler Australia.
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查看完整版本: Titlebook: Australian Screen in the 2000s; Mark David Ryan,Ben Goldsmith Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Australian Sc