Orthosis
发表于 2025-3-21 17:21:56
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极端的正确性
发表于 2025-3-21 21:13:05
Poetics of Debt: Disruptive Realism in , and cumentary realism is used in Abderrahmane Sissako’s . (2006) to foreground the heightened antagonisms between creditors and debtors in the neoliberal era. The politicization of debt in . is related to the work of African debt resistance organizations, the abstractions of neoliberal credit systems an
补角
发表于 2025-3-22 00:58:09
Crisis of Sovereignty: Anti-psychologism in ,, ,, , and tyranny of authority figures in Yorgos Lanthimos’s . (2009) and . (2011). The impersonal, officious and miscommunicative dialogue in these films is scrutinized in relation to the organizational gothic genre and the technocratic language used to legitimate neoliberalism. There is an analysis of the w
BAIT
发表于 2025-3-22 05:03:06
Return of the Oppressed: Complex Identification in the heightened electoral impact of working-class voters. The abandonment of the working class by center-left parties previously aligned with labor movements has opened the door for the co-optation of popular discontent with neoliberalism by right-wing populists. These political dynamics are examined
抛物线
发表于 2025-3-22 12:20:10
Political Exclusion and Cultural Difference: Challenging Objectivity in , and ony. The exclusionary treatment of people of color in contemporary France is examined through an allegorical analysis of narrative space in Abdellatif Kechiche’s . (2007) and Laurent Cantet’s . (2008). Studies of family melodrama and the writing of Chantal Mouffe are used to relate these films to th
合同
发表于 2025-3-22 13:20:38
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实现
发表于 2025-3-22 20:01:17
Afterword-2008 period. The rest of the chapter considers the way art cinema can remain politically relevant by engaging with popular culture, addressing the systemic cruelty of contemporary capitalism and providing ethical and social alternatives to the current order. The chapter concludes with an analysis o
发誓放弃
发表于 2025-3-22 23:14:49
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红润
发表于 2025-3-23 03:21:59
María José Ramírez,Moreno Falaschily intervene in a crisis situation. There is an analysis of the crisis tendencies of the neoliberal period and the strategies of legitimation used to consolidate neoliberal rule. Through an engagement with theories of Brechtian estrangement and Russian Formalist defamiliarization, this chapter propo
exigent
发表于 2025-3-23 09:33:56
Lawrence C. Paulson,Andrew W. Smithcumentary realism is used in Abderrahmane Sissako’s . (2006) to foreground the heightened antagonisms between creditors and debtors in the neoliberal era. The politicization of debt in . is related to the work of African debt resistance organizations, the abstractions of neoliberal credit systems an