Insufficient 发表于 2025-3-25 04:20:44
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Return of the Oppressed: Complex Identification in . The chapter concludes with an analysis of how the prismatic visual design of . complicates our identification with the film’s bourgeois protagonists and deviates from the humanist relativism of earlier Iranian art cinema by emphasizing class difference.enmesh 发表于 2025-3-26 09:01:17
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María José Ramírez,Moreno Falaschicontemporary auteurs are revising art cinema conventions in order to address the various social, political and cultural crises generated by neoliberalism. The chapter concludes with summaries of the remaining chapters and an overview of the book’s overall structure.Yag-Capsulotomy 发表于 2025-3-26 19:27:13
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