audiogram 发表于 2025-3-21 18:29:00
书目名称Akram Khan影响因子(影响力)<br> http://figure.impactfactor.cn/if/?ISSN=BK0151940<br><br> <br><br>书目名称Akram Khan影响因子(影响力)学科排名<br> http://figure.impactfactor.cn/ifr/?ISSN=BK0151940<br><br> <br><br>书目名称Akram Khan网络公开度<br> http://figure.impactfactor.cn/at/?ISSN=BK0151940<br><br> <br><br>书目名称Akram Khan网络公开度学科排名<br> http://figure.impactfactor.cn/atr/?ISSN=BK0151940<br><br> <br><br>书目名称Akram Khan被引频次<br> http://figure.impactfactor.cn/tc/?ISSN=BK0151940<br><br> <br><br>书目名称Akram Khan被引频次学科排名<br> http://figure.impactfactor.cn/tcr/?ISSN=BK0151940<br><br> <br><br>书目名称Akram Khan年度引用<br> http://figure.impactfactor.cn/ii/?ISSN=BK0151940<br><br> <br><br>书目名称Akram Khan年度引用学科排名<br> http://figure.impactfactor.cn/iir/?ISSN=BK0151940<br><br> <br><br>书目名称Akram Khan读者反馈<br> http://figure.impactfactor.cn/5y/?ISSN=BK0151940<br><br> <br><br>书目名称Akram Khan读者反馈学科排名<br> http://figure.impactfactor.cn/5yr/?ISSN=BK0151940<br><br> <br><br>GENUS 发表于 2025-3-21 22:12:31
,Khan’s Body-of-Action,, it would be reductive, even impossible, to engage with Khan’s art without understanding the embodied reality and the socio-political contexts that catalyse it. Sondra Horton Fraleigh reminds us of the fundamental link between a dancer’s lived reality and their art:.To understand the kinaesthetic q连锁 发表于 2025-3-22 04:12:37
http://reply.papertrans.cn/16/1520/151940/151940_3.png单挑 发表于 2025-3-22 04:40:07
Auto-ethnography and , (1999),ategy of artistic enquiry was evident from his earliest endeavour as a student at university. Between 1996 and 1998, during his time at Northern School of Contemporary Dance, Khan created ., a solo that began to negotiate the confusion generated through the multicorporeal layers between his trainingCorral 发表于 2025-3-22 12:10:54
http://reply.papertrans.cn/16/1520/151940/151940_5.pngInclement 发表于 2025-3-22 13:37:56
http://reply.papertrans.cn/16/1520/151940/151940_6.png翻动 发表于 2025-3-22 19:39:31
Queering Normativity in , (2013),sation process through which Khan’s new interculturalism queers normativity. An acronym for ., and inspired by Igor Stravinsky’s seminal composition of ., Khan choreographed . for the centenary celebrations of its premiere on 29 May 1913 at Théâtre des Champs-Elysées in Paris. Critics have received高歌 发表于 2025-3-22 23:56:07
http://reply.papertrans.cn/16/1520/151940/151940_8.pngnotion 发表于 2025-3-23 05:19:09
http://reply.papertrans.cn/16/1520/151940/151940_9.pngaesthetic 发表于 2025-3-23 07:31:20
Wirtschaftende Personen und Institutionen,s and places simultaneously points to another significant catalyst that fuels his embodied approach to new interculturalism; this is the condition of mobility and its relationship to flexibility vis-à-vis relocated subjectivities and homes..