Diaphragm
发表于 2025-3-25 06:42:42
978-1-349-48363-1Palgrave Macmillan, a division of Macmillan Publishers Limited 2015
emission
发表于 2025-3-25 07:55:30
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chapel
发表于 2025-3-25 14:55:49
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allergen
发表于 2025-3-25 18:25:35
Third Space Politics in , (2005) and , (2011), Bangladesh and his own embodied Britishness. This in-betweenness fuels Khan’s musings on identity-politics in the diaspora and beyond, and finds profound manifestations in two critically acclaimed pieces, . (2005) and . (2011).
作呕
发表于 2025-3-25 20:05:46
Queering Normativity in , (2013),sation process through which Khan’s new interculturalism queers normativity. An acronym for ., and inspired by Igor Stravinsky’s seminal composition of ., Khan choreographed . for the centenary celebrations of its premiere on 29 May 1913 at Théâtre des Champs-Elysées in Paris. Critics have received Khan’s homage in divergent ways.
共同生活
发表于 2025-3-26 00:38:50
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PAGAN
发表于 2025-3-26 04:34:27
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Pelvic-Floor
发表于 2025-3-26 10:12:00
,Führungsinstrumente der Wirtschaftlichkeit,er than inherited intellect is a poignant echo of my framing of Khan’s new interculturalism as an interventionist aesthetic that is driven by his unique embodied realities, as detailed in the previous chapter. It is therefore not a coincidence that . (2010) is the title of Khan’s explorations of a m
逃避系列单词
发表于 2025-3-26 13:34:59
Wirtschaftlichkeit als Handlungsprinzip,ategy of artistic enquiry was evident from his earliest endeavour as a student at university. Between 1996 and 1998, during his time at Northern School of Contemporary Dance, Khan created ., a solo that began to negotiate the confusion generated through the multicorporeal layers between his training
ethnology
发表于 2025-3-26 20:27:03
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