BACLE 发表于 2025-3-25 05:16:44
,Reading and Resisting: The Lady/Elaine in Young People’s Literature,vs feminist metanarratives on the Lady/Elaine story. The latter part of the chapter analyzes Marjorie Richardson’s “Launcelot’s Tower,” L. M. Montgomery’s ., Felicity Pulman’s . series, and Meg Cabot’s .. These texts depict young women reading the Lady/Elaine to model ways to engage with cultural anantenna 发表于 2025-3-25 10:02:54
Desire and Art: The Lady/Elaine in Historical Fiction and Fantasy,setting. Lisa Ann Sandell’s ., Gwen Rowley’s ., Phyllis Ann Karr’s “Two Bits of Embroidery,” and Patricia A. McKillip’s . demonstrate the ways medievalism and genre conventions intersect to facilitate representations of the Lady/Elaine as agents of desire and of artistic production.zonules 发表于 2025-3-25 15:22:11
Postscript, of and allusions to the Lady/Elaine need to be understood for their contributions to cultural models and scripts. Whatever their stance on their pre-text(s), Lady/Elaine adaptations and allusions reiterate the importance of this figure as a way of imagining our options, whether to negotiate our relInsubordinate 发表于 2025-3-25 17:05:17
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Better Deposit Guarantee Schemesvs feminist metanarratives on the Lady/Elaine story. The latter part of the chapter analyzes Marjorie Richardson’s “Launcelot’s Tower,” L. M. Montgomery’s ., Felicity Pulman’s . series, and Meg Cabot’s .. These texts depict young women reading the Lady/Elaine to model ways to engage with cultural an尾巴 发表于 2025-3-26 19:14:45
Better Deposit Guarantee Schemessetting. Lisa Ann Sandell’s ., Gwen Rowley’s ., Phyllis Ann Karr’s “Two Bits of Embroidery,” and Patricia A. McKillip’s . demonstrate the ways medievalism and genre conventions intersect to facilitate representations of the Lady/Elaine as agents of desire and of artistic production.