恫吓 发表于 2025-3-26 23:22:01
Better Deposit Guarantee Schemes of and allusions to the Lady/Elaine need to be understood for their contributions to cultural models and scripts. Whatever their stance on their pre-text(s), Lady/Elaine adaptations and allusions reiterate the importance of this figure as a way of imagining our options, whether to negotiate our relCRUMB 发表于 2025-3-27 03:55:53
Ann F. HoweyAddresses a number of scholarly communities including Arthurian scholars, medievalists, and Victorian scholars.Extends the study of Arthurian characters by focusing on female characters via a feminist摘要记录 发表于 2025-3-27 09:13:40
http://reply.papertrans.cn/16/1510/150967/150967_33.png颠簸地移动 发表于 2025-3-27 12:11:13
The Lady and Elaine: Medieval Literature and Victorian Adaptation,hat tradition in the nineteenth century, and briefly surveys some of his contemporaries’ responses. By analyzing the medieval pre-texts and Tennyson’s poetry, and outlining relevant scholarly debates about them, this chapter establishes the literary context with which later adaptations engage.Agility 发表于 2025-3-27 13:52:07
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Desire and Art: The Lady/Elaine in Historical Fiction and Fantasy,setting. Lisa Ann Sandell’s ., Gwen Rowley’s ., Phyllis Ann Karr’s “Two Bits of Embroidery,” and Patricia A. McKillip’s . demonstrate the ways medievalism and genre conventions intersect to facilitate representations of the Lady/Elaine as agents of desire and of artistic production.Cholecystokinin 发表于 2025-3-28 00:08:00
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http://reply.papertrans.cn/16/1510/150967/150967_39.png举止粗野的人 发表于 2025-3-28 12:00:41
Better Deposit Guarantee Schemessetting. Lisa Ann Sandell’s ., Gwen Rowley’s ., Phyllis Ann Karr’s “Two Bits of Embroidery,” and Patricia A. McKillip’s . demonstrate the ways medievalism and genre conventions intersect to facilitate representations of the Lady/Elaine as agents of desire and of artistic production.