Dungeon
发表于 2025-3-25 06:00:30
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Campaign
发表于 2025-3-25 08:24:14
William H. Gass and the (Un)popularity of Words as Musicll-integrated system of aesthetic values. His formalist commitments, which determined his reputation as a radical postmodern innovator in American letters in the 1960s and 1970s, were recognized as highbrow conservatism during the 1980s. This chapter seeks a connection between Gass’s concept of lite
啤酒
发表于 2025-3-25 15:43:47
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引起
发表于 2025-3-25 18:30:53
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无聊的人
发表于 2025-3-25 23:32:05
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拒绝
发表于 2025-3-26 01:54:23
Of Silent Notation and Historiographic Relationality: Words, Music, and Notions of the Popular,work-specific and intermedial meaning-production. Both case studies demonstrate that theoretical concerns in intermediality and in popular music studies gain from approaching borders and contexts with a mindset that interlaces meticulous attention to variations of word-music relations with in-depth
使隔离
发表于 2025-3-26 07:45:12
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压迫
发表于 2025-3-26 09:23:55
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创新
发表于 2025-3-26 14:09:04
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臭了生气
发表于 2025-3-26 17:42:40
A Melopoetic Struggle between East and West: Mickiewicz and the Popular Idiomn terms of an ambiguous orientalism, eloquently re-appropriated by the Ukrainian rock band. It is my contention that Mickiewicz’s politically charged melopoesis is here recast as popular music to make a statement on Ukraine’s precarious position between East and West.