Esophagitis
发表于 2025-3-23 13:22:58
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Antagonism
发表于 2025-3-23 17:02:49
Of Silent Notation and Historiographic Relationality: Words, Music, and Notions of the Popular,versial classical-popular binary benefit from understanding borders as flexible spaces of intermedial and cultural-historical meaning-production. The first example—Richard Powers’s novel . (2014)—engages the border between so-called classical and popular music from the perspectives of music history,
MILK
发表于 2025-3-23 18:02:39
Experiencing Dylan: The Effect of Formal Structure and Performance on the Popularity and Interpretatwere hypothesized to affect the popularity of a song in specific ways. Therefore, I have tested the effect of formal irregularities and amplification on the appreciation and the interpretation of two Bob Dylan songs in a small natural experiment (an analysis of various renditions available through Y
隐士
发表于 2025-3-24 00:03:18
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娘娘腔
发表于 2025-3-24 04:26:09
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高度赞扬
发表于 2025-3-24 09:54:12
PJ Harvey as a Modern War Poet: How , Challenges ‘English England’ Through the Pastoraltorical or fictional events from the First World War. It might strike the listener as odd that an album focusing on a conflict long gone, can “ so uncannily and powerfully with the times” (Troussé, PJ Harvey on) ., poetry and her career: I was quite prepared to fail.” . .. Accessed 4 Oct 2020
傻
发表于 2025-3-24 13:51:11
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Corroborate
发表于 2025-3-24 18:17:30
A Melopoetic Struggle between East and West: Mickiewicz and the Popular Idiomhe writer Andrzej Stasiuk with parts sung in Ukrainian. This chapter offers a reading of the album in light of its literary sources in Polish and Ukrainian Romanticism and of its historical context, showing a melopoetic tradition of folksong’s political force to which both Mickiewicz and Haydamaky s
invert
发表于 2025-3-24 19:35:44
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斑驳
发表于 2025-3-25 00:23:24
Café-Concert Parodies of , (Wagner) and , (Verdi) in the Context of Popularisation Efforts of the Opof the repertoire at a time when the Opéra increasingly wanted to open up to lower social classes. The wide success they enjoyed is also evident in various parodistic adaptations of which . and . were among the most popular. It is therefore surprising that the influence of the genre of parody on the