Titlebook: Shakespeare‘s Hybrid Faith; History, Religion an Jean-Christophe Mayer Book 2006 Palgrave Macmillan, a division of Macmillan Publishers Lim

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amorphous

Intuitive

Kidney-Failure

Acting the Insubstantial in ,ure on the Elizabethan stage. There is much in the play which refers, alludes or appeals to another dimension that runs almost parallel to it. For Richard, at the beginning of the play, this other dimension is entirely fabricated, as it is part of the art of the so-called Machiavellian courtier to b

Obloquy

Religious Conscience and the Struggle for the Succession in ,zabethan stationers, available to almost every cynic and malcontent of the period.. Indeed, when Shakespeare completed the writing of . in or around 1595. the life of Richard of Bordeaux and the allusions to his reign had already been used by historians and law specialists to discuss the terms under

Hemoptysis

变异

,The Discovery of a ‘Popish Plot’? The Chamberlain’s Men and the 1601 Essex Rising,ing figure of the 1590s, including the Queen herself.. By the turn of the next century, however, the nobleman who had managed to stir so much enthusiasm and gather around him so many followers — soldiers, writers or aristocrats — had lost the Queen’s favour and was no longer in odour of sanctity wit

LARK

,Revisiting the Reformation: Shakespeare and Fletcher’s , create a ‘monument’ in honour of the monarch when he dies: ‘And when old Time shall lead him to his end, / Goodness and he fill up one monument’ (2.1.93–4).. Was William Shakespeare and John Fletcher’s ., written in homage to that ‘monumental’ sovereign, Henry VIII? This, as we shall argue, is mere

FACT

Conclusion, of . (1633) — a mammoth and delirious sum of anti-theatrical arguments — obviously took great pleasure in propounding the false idea of a radical incompatibility between theatre (Shakespeare’s plays in particular) and the religious culture of early modern England. The different chapters of this boo

ANT

Acting the Insubstantial in ,Whether engineered by Richard or not, an otherworldly presence is felt at the highest levels of the kingdom. His brother Clarence, for instance, reveals that the King has fallen prey to superstitious fears which in fact permeate the corridors of power: